Sunday, June 16, 2013

Sunday June 16, 2013 Fragments G&C #151

Fragments G&C #150  30"x30"  gouache on w/c paper

I continue to try to figure out what I am doing.  My ideas are fleeting.  I know what this new work is about, small pieces, geometry and change; change of value, change of color, change of intensity, change of tempreature, etc.  The work is a new form of Op and Color Field.

I learn with the execution of each piece...with each mistep, I learn.  My ideas become ever clearer, though I still remain in a fog, never sure exactly what I want the viewer to see, nor where I am going.

 I chart the direction for the next piece.

Tuesday, May 28, 2013

May 28, 2013 To Draw/Pencil on Paper



                                    Bird Nest Drawing  22"x30"  graphite on twinrocker all purpose hot press paper




To Draw/ Pencil on Paper
What does it mean
To make a mark
To draw
Pencil in hand
Grasped naturally
Point touches paper

Without knowledge
Of destination
Nor how to get there
She follows
Her own footsteps
Blazes her own path

A world of wonder
With the pressure of the hand
Creates lights and darks
Bridges formed

Connections 
To another world
Of breath and wonder
How does this happen
No one knows
No one can say
It is as it is
A line is made
Light and shadows
An image appears

Note:  This nest was found in the court yard.  So cleverly hidden, we didn't find it until winter and the bush had lost its' leaves.  "A nest is considered to be one of the mavels of animal life." says Gaston Bachelard.  "The enterprise and skill with which animals make their nests is so efficient that it is not possible to do better, so entirely do they surpass all masons, carpenters and builders; for there is not a man who would be able to make a house better suited to himself and to his children than these little animals build for themselves.  This is so true, in fact, that we have a proverb acording to which man can do everything except build a bird's nest."  Ambroise Pare.

Saturday, May 25, 2013

May 25, 2013 What is "art" and Who Says So?"


Fragments G&C  30"x30"  gouache on w/c paper




What is “art” and Who Says So?
As an artist, “art” is the visual product (or not), of the artist’s process.  A visual product might be a painting, drawing, sculpture, photography or something else...or it might just be the thought of the artist....I am thinking now of the conceptual artist.

Art comes from deep inside of the artist, in response to something seen, or felt, or thought., this is called “inspiration.”  It is what moves the artist to create.  Even if, as a viewer we don’t understand it, there is thought behind the work, at least there should be.  It might be abstract thought, and there might not be words to describe it.  And that is why it must be created visually.

I have heard it said, “Without some knowledge of art history, contemporary art cannot be understood.”
  Therefore the average museum-goer, who holds a 19th century idea of what art is, really knows nothing of art.  He might enjoy what he sees, but has no understanding of where it fits in the history of art.  I remember my first art teacher, talking about contemporary art, he said, “Art could be thought of like a Chinese news paper; an uneducated man, a man who does not know Chinese, might stand before the newspaper, he will learn little.  But for an educated man, a man who knows Chinese will learn much from the newspaper.”

Without some prior education of art, most people don’t have the confidence to make judgments about art, and they shouldn’t.   Often what they say, simply tells what they do not know.

If we want to enjoy art, it is probably wise to go to the museum to see what is offered as "art."  At least the people who are choosing, are educated in art and art history.   Pay attention, take a notebook, make notes.  Ask yourself questions, why do I like looking at this work?  What is it about this work, that I do not like?  List the artists you like, later, research the artists you respond to.  As you become familiar with the artists, your list will grow, and  so will your appreciation.  That’s a beginning.

Art is created for you, and your life will be richer for it.



Note:  Recently I received an essay asking "But What is Art?"  I was asked to respond to the essay, I did, but then I contacted the writer, and asked if I might post his essay on my blog.  He didn't want me to, so of course I didn't but since I thought it was an interesting article, and was a good basis for discussion.  I wrote my opinion in a short essay, and would like your response.  What is art for you?

Reply:  For some reason I am not able to reply to your comments.  So I have to put it in the post:  No, Art, an unformed opinion does not make it "art."  One can say what they like or not, but cannot say if it is "art."  I stand by this.  And yes, Sherry, you are an artist, with something very important to say, even if no one reads it.







Sunday, May 12, 2013

May 12, 2013 Fragments G&C

Fragments G&C #149  30"x30"  gouache on w/c paper


Yesterday I began a larger piece.  Just would like to see how it will look.

Wednesday, February 27, 2013


2013 Texas National Art Competition & Exhibition




FragmeNts C&C #135  30"x30"  gouache on w/c paper



press release photo
press release photoPortrait of the artist. Pencil on paper by Phong Bui, The Brooklyn Rail.
November 19, 2012—John Handley
NACOGDOCHES, TEXAS—Juror: Peter Selz, past curator at MoMA and founding director, University Art Museum at Berkeley; renowned art historian who curated shows on Giacometti, Graves and Rothko, has written for many art publications, recipient of numerous awards, and author of The Art of Engagement, is the 2013 Texas National juror.

Stephen F. Austin State University’s 19th annual competition and exhibition is open to artists in the U.S. $3,500 in cash awards, plus honorable mentions and illustrated digital catalog. All media (except video or performance) are accepted.

 Exhibition dates: April 13–June 8, 2013











WOMAN MADE GALLERY PRESENTS  
16th National Open
Solo Show by Kathryn Gauthier

Solo Show by Allison Svoboda 
     
March 1 - April 25, 2013
Opening Reception: Friday, March 1, 6-9 p.m.
Artwork by Maryam Sabbaghpour
Artwork by Maryam Sabbaghpour

Chicago, IL - February 22, 2013 
Woman Made Gallery (WMG) presents a group exhibition with works by 37 artists. Juried by Kelli Connell, the 16th International Open includes painting, sculpture, mixed media, photography, installation, and video works. Simultaneously WMG is exhibiting a larger body work by Kathryn Gauthier and Allison Svoboda. The opening reception is on March 1st  from 6 to 9 p.m.   






Fragments G&C #108  30"x30"  gouache on w/c paper






Tuesday, February 26, 2013

February 26, 2013 M.O. at Ground Arts





The show at Ground Arts was a wonderful opportunity to share my work, thanks to Kevin and Kelly (in the middle.)



This is an invitation for a show at Jay Jay Gallery, 5520 Elvas Ave., Sacramento, CA 95819
The show opens March 7, 2013  5:30 - 8pm.  Featuring artists: S.R. Jones, Michaele LeCompte, Gordon Senior, Ellen Van Fleet, Eleanor Wood, and me. 

Sunday, February 17, 2013

February 17, 2013 New Mexico Artist


New Mexico Artist, Annell Livingston to Exhibit Works from her “Fragments” Series in Modus Operandi, Curated by Kelly Woman for Ground Arts Organization

(New York, NY) - Artist Annell Livingston (featured above) will join Steven Peters, and Erik Patton in M.O. (Modus Operandi), an exhibition organized by senior curator, Kelly Woman, at Ground Arts Organization, located at 508-526 W. 26th St, 9E/9F, New York, NY. The opening reception will be held on Thursday, February 21st, from 6:30-8:30 P.M.

The three artist participants were selected by juror, and New York Arts Magazine Executive Editor, Jason Stopa. The exhibition explores multilayered processes and diverse materials, expressive abandon and simultaneous emotional restraint, deconstruction and manipulation of visual information, and fragments of color reorganized in limitless permutations of dimensional space, existing throughout time as essence of experience.

Annell Livingston is from El Prado, New Mexico; she has had a career that spans five decades, and her work reflects her environment. The colors are inspired by nature and the landscape that surrounds her. For Livingston, native weavings, the light of a particular season, of a day or an hour of the day, and the cyclical aspects of day and night all posses a rhythm of reassurance in their variety and unpredictability.

She began working with grids in 1986, and more specifically her "Fragments" series in 2005, and considers these to be abstract narratives, with colors gathered from the New Mexico landscape, and her experience of learning to work with handmade oriental papers. Interestingly, her "Fragments" became "A Day in the Life", which evolved into "The Eternal Circle". To quote Annell, "I am trying to fuse image and spirit, harmony of mind, hand and heart . . . each is true to the moment, new as never seen in exactly this way . . . like each new day, forever changing."

Annell Livingston has had one-person exhibitions at Lumina Gallery in Taos (2007, 2010), Karan Rulen Gallery in Santa Fe (2006, 2004, 2001, 1996, 1995, 1994), Lynn Goode Gallery in Houston (1990,1994), Sol Del Rio Gallery (1991,1989). In 2004, Livingston had a one-person show in Kiryu, Gunma, Japan at the Yurinkan Art Center. In 1990, The Kirkpatrick Museum in Oklahoma City also honored her with a one- person exhibition "Known and Unknown". Her work is included in the permanent collection of the McNay Art Museum, San Antonio, TX, and in numerous corporate and private collections nationwide.

Annell Livingston, Steven Peters, and Erik Patton were chosen as winners from the Summer 2012 Competition.